Historical Art Survey MCQs
Historical Art Survey MCQs
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1: A ruler's image is often ____, meaning it is depicted without flaws and often with youthful vigor.
A. Metallurgy
B. Montage
C. Mayans
D. Idealized
E. Lamassu
2: After procrastinating for months, ____________ finished guernica for the 1937 world's fair.
A. Pablo Picasso
B. Destruction of sacred images
C. The statue of Marcus Aurelius
D. Merce Cunningham
3: As early as 7000 bce, during the neolithic age, people of jericho refashioned __________.
A. Reliquary
B. Plastered skulls
C. Stained-glass window
4: Compound piers are ____.
A. ...the survival of ancient Roman ruins
B. ...heal body and soul
C. ...become witnesses of the Gospels to the world
D. ...piers with attached columns or pilasters
5: Control of the world’s cocaine industry rests in the hands of __________ organizations.
A. Terrorism
B. Tailban
C. Colombian
D. Dope tunnels
6: Found on the warka vase, the convention of hierarchy of scale indicated ____.
A. Greater importance
B. Order of the gods
C. The first families
D. The power of money
7: One of the rooms of the propylaia reportedly functioned as a ____.
A. A winged Nike figure
B. Picture gallery
C. Naukratis
D. Kouros
8: Satyrs were men with ____ attributes and were prone to drunkenness and sexual excess.
A. Horse or monkey
B. Eagle or serpent
C. Goat or eagle
D. Goat or horse
9: Symbolic proportion is ________________
A. The relative size relationship between religious figures and other part of a work of art.
B. The apparent disproportionate relationship between objects within a piece.
C. The manipulation of visual characteristics in order to emphasize one specific figure.
D. The use of geometric arrangements to show religious imagery or to tell stories
10: The crowned head of an oni demonstrated the yoruba and benin skill in ____.
A. Ceramic
B. Wood carving
C. Stone masonry
D. Metallurgy
11: The jewish law prohibiting the worship of idols made the production of ___________most suspect.
A. Sculpture in the round
B. Narrative subjects
C. Symbolic imagery
D. None of these
12: The term terribilita is most often used to refer to ____?
A. Michelangelo
B. Albrecht Durer
C. A figure pyramid
D. Plato and Aristotle
13: Thelydenburg heads were probably used in _____.
A. Human and animal forms
B. Initiation rites
C. Both of these
D. None of these
14: Often synonymous with the renaissance, the ____ were great art patrons.
A. Medici family.
B. Pazzi family.
C. Riccardi family.
D. Gonzaga family
15: ________ was the treasurer to charles vii of france and a friend to pope nicholas v.
A. Sainte-Chapelle
B. Rottgen Pieta
C. Salisbury Cathedral
D. Jacques Coeur
16: Primitive art reflected art from___________________________.
A. African cultures
B. Asian cultures
C. Non-western cultures
D. European cultures
17: Prehistoric artists painted images in the ____ of the caves
A. Front
B. Back
C. Shelter
D. Outside
18: This painting was a catalyst for the ____ movement in art.
A. Futurist
B. Dadaist
C. Surrealist
D. Cubist
19: While ____ was important to modernists, ____ is important to postmodernists.
A. Construction/deconstruction
B. Photography/painting
C. Sculpture/poetry
D. Painting/photography
20: ____ is the church most closely associated with the crusades.
A. La Madeleine, Vézelay
B. San Miniato al Monte
C. Speyer Cathedral
D. Durham Cathedral
21: A work of art is the product of interrelationships between various art elements and __________
A. Principles
B. Voting rights for women
C. Nuclear disarmament
D. Foreign trade
22: Recent innovations in structural systems include ____.
A. Concrete
B. Load-bearing walls
C. Arches
D. Reinforced concret
23: The components of an artwork include perception, response, creativity, and ____.
A. Expression
B. Beauty
C. Energy
D. Quality
24: Value in art refers to ____ and ____
A. Worth and price
B. Brightness and dullness
C. Lightness and darkness
D. Artificial and natural
25: __________ architects developed a common formal language that transcended regional boundaries.
A. International Style
B. Cubist
C. Dadaist
D. Surrealist
26: Although a military failure, _________ helped to stimulate trade during the romanesque period?
A. Crusades
B. Typanum
C. Nave vault
D. Shell
27: Archeologists use the term __________ to designate the aegean bronze age on mainland greece.
A. Cretan
B. Minoan
C. Cycladic
D. Helladic
28: British painters fuseli and blake both worked in a __________ style.
A. Rococo
B. Romantic
C. Neoclassical
D. Spanish
29: Confraternities are ____ who dedicated themselves to strict religious observance.
A. Political action groups
B. Laypeople
C. Protectors of the king
D. Papal guards
30: Fifteenth-century __________ painters perfected the technique of painting with an oil medium.
A. Italian
B. Flemish
C. English
D. Portuguese
31: Sumerian votive figures were dedicated to the __________.
A. People.
B. King.
C. Gods.
D. Priests.
32: Lusterware refers to a technique used to make ceramic surfaces resemble_________.
A. Glass
B. Precious metals
C. Enamel
D. Porcelain
33: Gothic cathedrals differ from those built in the romanesque period in their _______________.
A. Use of massive support walls
B. Shift toward more open, light-filled spaces
C. Role as centers of community life
D. Association with royal patrons
34: A female statue column used as an architectural support was known as a ____.
A. Caryatid.
B. Gorgon.
C. Kouros.
D. Kore
35: Art nouveau artists and architects drew inspiration from _____________.
A. History painting
B. Historic battles
C. The subconscious mind
D. Nature
36: Artemisia gentileschi used ___________as a model in many of her paintings.
A. Music
B. Herself
C. Mystical visions
D. None of these
37: __________ are people from outside the empire who could only ?barble? greek or latin.
A. Celts
B. Goths
C. Barbarians
D. Visigoths
38: Cistercians did not rely on the __________ found on many romanesque churches.
A. Superbly refined stonework
B. Elaborately carved and painted figural decoration
C. Harmonious proportions
D. Experimental use of masonry vaulting
39: Erasmus and __________ were important reformers in the early sixteenth century.
A. Charles
B. Leoni
C. Philip
D. Luther
40: One aspect of etruscan society that contributed to their downfall was the lack of ____?
A. Political cohesion.
B. Wealth.
C. Skilled artisans.
D. Trade
41: By ____ donatello revolutionized relief sculpture in his image of saint george slaying the dragon.
A. Placing his work in a quatrefoil
B. Gilding the surface
C. Creating an atmospheric effect using incised lines
D. Including many episodes of one scene
42: The first true gothic hall church was the church of __________ of hungary in marburg.
A. Saint Foy
B. Saint Dame
C. Saint Clare
D. Saint Elizabeth
43: The french viewing public were greatly horrified by manet?s olympia because of her ____.
A. Inappropriate dress
B. Exotic trappings
C. Defiant look
D. Unattractiveness
44: ____ remained the byzantine foothold in italy for two centuries.
A. Naples
B. Florence
C. Venice
D. Ravenna.
45: ____ was the typical tomb type found at the etruscan cemetery at cerveteri.
A. Mausoleum
B. Tumulus
C. Tomb-shrine
D. Small Etruscan house-shaped terracotta
46: A chaitya hall is the best example of a ____.
A. Buddhist stupa hall
B. Muslim palace
C. Hindu rock-cut temple
D. Cambodian Mahameru
47: A nonobjective work refers to work that ____.
A. Has been abstracted from a natural object
B. Has no reference to the external appearance of the physical world
C. Is not considered objectionable by anyone
D. Has no material form but is merely conceived in the mind
48: Reynolds developed a type of historical portraiture called ____________.
A. The Grand Manner.
B. Academic.
C. Capriccio.
D. Moralizing.
49: The _______________ is an arcaded passage between the clerestory and nave arcade.
A. Triforium.
B. Pinnacle.
C. Quatrefoil.
D. Tracery
50: A ______________ includes the complete text of psalms and odes or canticles from the bible.
A. Psalter;
B. Ciborium;
C. Icon;
D. Miniature
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Historical Art Survey MCQs
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