These Creative Writing Test (Non-fiction) multiple-choice questions and their answers will help you strengthen your grip on the subject of Creative Writing Test (Non-fiction). You can prepare for an upcoming exam or job interview with these 70+ Creative Writing Test (Non-fiction) MCQs.
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A. Special Entrance
B. Special Effects
C. Second Prompter
D. Special Affects
E. Extra Speaker
A. Someone will plagiarize your words and potentially publish them as his or her own.
B. People will cease to respect your creative work.
C. You will not be able to get your work published in print format in the future.
D. You will lose sales.
Is the following statement true or false?
If you want to write character blurbs for graphic novels, you must be an illustrator as well as a writer.
A.
TrueÂ
B.
FalseÂ
A. Writing whose main aim is to succinctly describe an object in the world
B. Argumentative writing with a rhetorical aim
C. Writing whose main aim is to explore personal experiences and which is focused on the writer instead of on a subject or even on technical
D. Writing that expresses a political or social opinion
E. b and d
A. True
B. False
A. The last point at which an actor left the stage
B. The left side of the stage from the audience's point of view
C. The left side of the stage from the actor's point of view
D. It varies depending on the perspective of the actor
A. Non-fiction writing should always be factually verifiable, but that does not preclude creative style or expression as long as the creative expression serves an overall purpose of conveying facts, information, and learning.
B. Non-fiction is required to be only 75% truthful; the remainder can be given over to creative expression.
C. Non-fiction should always aim to be as creative and imaginative as fiction, occasionally at the cost of verifiable truth.
D. None of the above
A. Restricting your work to either a blog or a website - having both is always confusing
B. Placing sample opening chapters on a highly visual website that is interlinked with blogs and discussion boards to draw attention to your work
C. Putting the entire work online
D. Placing your work online anonymously
A. The writer's own private use
B. To promote as a form of writing to a local community
C. To publish in print or online
D. To share with family and friends
A. Simile
B. Metaphor
C. Alliteration
D. Personification
A. That an author book tour take place
B. That the author's face be on the front and back cover
C. That the book contain a website address for the publisher
D. That it be clear from reading what is verifiable fact and what is potentially the author's unreliable memory (i.e., that the line between reality and fantasy be clear)
E. a and b
A. Movie Magic Screenwriter and Final Draft
B. First Draft and Second Draft
C. DreamWeaver and Last Draft
D. No Draft and Screenwriting Crew 101
E. None of the above
A. That you write regularly, regardless of how you choose to express your thoughts and feelings
B. That the grammar and punctuation be accurate
C. That the sections be all the same length
D. That you eventually submit it to a literary agent
A. A written account of experiences, ideas, or reflections kept regularly and usually for private use
B. Writing articles to submit to newspapers
C. Writing a journal-like diary or memoir specifically for publication
D. All of the above
Is the following statement true or false?
Editors will take a professional blog seriously as an example of someone's writing skills, as long as the blog is regularly updated, clear, and relevant.
A.
TrueÂ
B.
False
A. Non-fiction with some fictional elements, such as invented dialogue
B. Non-fiction told like a short story or written like a novel
C. Non-fiction stories written in the form of poems or plays
D. All of the above
E. None of the above
A. 2.5 hours
B. 1.5 hours
C. 2 hours
D. 3 hours
E. 1.75 hours
A. A photograph of the author
B. The title of the work and the author's name and contact information
C. A dedication, the author's name, and the prologue
D. The author's home address and the beginning of the first scene
A. Trying to prompt your audience or reader into liking the narrative voice
B. Imitating a known writer as much as possible
C. Developing a specific and genuine narrative voice, whether the work will be published or not
D. Varying the narrative voice from section to section depending on whether you feel the work can be published or not
A. True
B. False
A. The five beats at the end of a five-line stanza
B. A traditional form of rising meter consisting of lines of five iambic feet (i.e., ten syllables total)
C. All Shakespearean-style poetry
D. Christopher Marlowe's
E. a and d
A. inner, outer
B. interior monologue, exterior speaker
C. interior scene setting, exterior scene setting
D. intermission, extra scene
E. All of the above
A. The entire work without a synopsis
B. An outline, chapter synopsis, and the opening chapters
C. A telephone call followed by the entire work
D. A formal meeting in which you present the entire work
A. It tells that the story has changed in location or time
B. A black line that divides scenes
C. The last line of the play
D. The play's subtitle
A. A question that doesn't require an answer
B. A question that contains a riddle
C. A question that demands to be answered as quickly as possible
D. A question that contains an argument
E. A question with two different answers
A. a potentially dangerous prop used on stage the antagonist
B. the main character in a play or screenplay
C. a line or passage that captures the audience's attention (originally a term borrowed from songwriting)
A. glossary
B. index
C. afterword
D. bibliography and works cited pages
A. The two genres are usually handled by the same editor.
B. Other than the fact that one genre is
C. Non-fiction requires fewer stages of correction.
D. Non-fiction requires a fact-checker and may also need to have illustrations or photographs sourced.
A. To temporarily delay a production
B. To give the go-ahead to start a production
C. That the production has made over $1 million
D. That the production is a safety-related play about traffic lights
A. True
B. False
A. Eugene O'Neill, Tennessee Williams, Arthur Miller
B. William Shakespeare, Arthur Conan Doyle, Charlie Parker
C. Arthur Miller, James Copeland, Henry James
D. Oscar Wilde, Tennessee Williams, Flannery O'Connor
A. True
B. False
A. Vehicle On (the use of heavy props on stage)
B. Voice Off (an off-stage voice that falls silent when that character is on stage)
C. Vehicle Off (the removal of a heavy prop from the stage)
D. Voice On (the turning on of off-stage sound equipment)
E. Voice Over (an off-stage voice that narrates the on-stage action)
A. Metrical feet in a line that move from stressed to unstressed syllables
B. Metrical feet in a line that move from unstressed to stressed syllables
C. Same as alliteration
D. Free verse
E. All of the above
A. Web pages
B. WWW for Dummies
C. The Internet 1.1
D. Web 2.0
E. All of the above
A. Dream book or log
B. Diary or memoir
C. Electronic journal
D. Spiritual or personal growth journal
E. Short story collection
F. Autobiography or life writing
A. It is less important than one might think; many non-fiction books are published with factual errors.
B. It is important because the credibility of the author and publisher are reflected in the reliability of factual claims made in the book.
C. It is less important than one might think; the work may contain a mixture of verifiable facts and approximate facts or guesswork by the author.
D. It is important because sales will be higher if there is more fictional content, even in a non-fiction book.
A. sonnet
B. ode
C. ottava rima
D. haiku
E. None of the above
A. Times New Roman 13
B. Courier New 12
C. Garamond 12
D. Arial 12-14
E. All of the above
A. A painter and decorator who designs the sets for a play
B. The playwright, once he or she enters the theatre for rehearsal
C. A theater company's chief artistic officer, usually the last person who decides on a script before green-lighting production
D. The lead actor, who often has some creative control
A. Jaws IV, Plan 9 from Outer Space, Cheers
B. Chinatown, American Beauty, Schindler's List
C. Mike's World, The Bad Barber Shop, Back in 5 Minutes
D. Roseanne, Cheers, Seinfeld, Deep Impact
A. The opposite of what is stated, often with ironic effect
B. Composite word for a postscript, glossary, index or bibliography
C. A comparison of two similar ideas or objects to make a point about the first one; a kind of comparative example
D. The repetition of beginning consonant and vowel sounds in a line of poetry
A. Epic verse
B. Poetry that is given away free with longer works
C. poetry with no prescribed pattern or structure
D. Rhyming couplets
E. None of the above
A. Horror
B. Cartoon
C. Legal Thriller
D. Romantic Comedy
A. from 3 to 6 weeks
B. from 3 weeks to 3 months
C. from 3 months to 1 year
D. from 2 years to 10 years
A. A simple premise that describes a proposed film in just a few sentences, often by juxtaposing two known ideas
B. A production with a large budget
C. A very artistic, conceptual approach to filmmaking
D. A complex idea that is turned into a relatively short film
A. The similarity between ideas
B. The negative feeling between two ideas in a work of journalistic non-fiction
C. The specific tone of a work, or specific voice of the writer
D. When an author prejudices the reader in favor of one side of a subject by not covering the topic fairly
A. 80-125 pages
B. 60-80 pages
C. 100-180 pages
D. Any length, as it can always be abridged or expanded
A. All online creative writing courses are scams that should be avoided in favor of a course that takes place in a classroom.
B. An online course can be a good supplement and aid to the creative work you are already producing on your own or as part of a classroom workshop.
C. Some online courses are better than others; the good ones involve learning materials, forums, chat rooms, and interactive time with an actual teacher.
D. b and c
A. It is staged on an empty stage.
B. It is published in paperback.
C. It goes through a development stage that includes professional
D. A read-through of the play is broadcast on the radio.
E. c and d
F. None of the above