These Pro Tools multiple-choice questions and their answers will help you strengthen your grip on the subject of Pro Tools. You can prepare for an upcoming exam or job interview with these 70+ Pro Tools MCQs.
So scroll down and start answering.
A. The heating of the computer when running Pro Tools
B. It is a function that allows you to program multiple loops per sample
C. The amount of time it takes your computer to receive an input and then send back an output
A. 24
B. 48
C. 256
D. 192
A. Frequency
B. Pitch
C. Wavelength
D. Decibel
E. Hertz
A. audition
B. delete
C. ignore
A. sampled acoustic piano
B. sampled organ
C. excessively large track region
D. type of preamp
A. All of these
B. Volume
C. Clip gain
D. Plug in bypass
A. Change the overall volume of the clip
B. Streamline workflow
C. Adjust sync to video
D. Manage large numbers of tracks
A. Audio
B. All of these
C. Midi
D. Video
A. Video
B. Images
C. Audio
D. Text Documents
A. RPG
B. DES
C. DAW
D. PWS
A. Create a back up of the current session
B. Record over sections of previously recorded takes non-destructively
C. Export audio data to avid media composer
D. Record midi information on audio tracks
A. Duplicate midi information
B. Unused plug ins from the session
C. Sections of audio clips that fall below a certain threshold
D. Duplicate sessions from the file system
A. No
B. Yes, with third-party software
C. Yes
A. It divides a track into 4 bars
B. It synthesizes four instruments into one sound
C. It counts the number of notes played on one a track
D. It makes a track's timing more beat-accurate
A. quantize
B. region-capture
C. download
D. synthesize
A. Automatically ducks the level of backing tracks
B. Backs up session files at regular intervals
C. Prevents a track from being muted even if the user solos other tracks
D. Eliminates unwanted background noise
A. Megabits
B. Sample looping
C. Bit depth
D. Syncopation
A. Timecode rate
B. (all of these choices)
C. Pan depth
D. Bit depth
A. To decrease latency caused by digital summing in the compressor output.
B. To export audio files
C. To apply effects such as compression, EQ, and reverb.
D. To import audio files
E. To display audio, video, MIDI data, and mixer automation for recording, editing, and arranging on tracks
A. 16bit/48k
B. 16bit/32k
C. 24bit/96k
D. 16bit/44.1k
E. 8bit/44.1k
A. False
B. True
A. 32 bit
B. 24bit
C. 8bit
D. 16bit
A. Save, quit, load
B. Solo, mute, input monitor
C. Volume, gain, drive
D. Selector, grabber, trimmer
A. 96 kHz
B. 48 kHz
C. 192 kHz
D. 122 kHz
A. Music & Entropy
B. Music & Effects
C. Midi & Exit
D. Microphone & Energy
A. True
B. False
A. time signature
B. block
C. metronome
D. sidebar
A. Musical Instrument Digital Interface
B. Multiple Input Detection Indicator
C. Musical Instrument Direct Input
D. Mastering Index Developed Internally
E. Music Input Digital Interface
A. Process audio clips
B. Expland the number of inserts available
C. Allow Pro Tools to run Logic Pro as a rewire insert
D. Undo previous clip processing
A. overtracking
B. rerecording
C. overdubbing
D. looping
A. RTAS
B. All of these
C. AAX Native
D. TDM
A. virtual instrument
B. beatbox
C. recording program
D. latency regulator
A. Control the volume of groups of tracks without changing their routing
B. Performs auto-back up functions
C. Control the level of an fx send
D. Control the rate at which audio modulation occurs
A. fast; slow
B. violent; steady
C. fast; fast
D. slow; slow
A. Pro Tools Express
B. Pro Tools 10
C. Pro Tools + 11 Rack
D. Pro Tools HD 10
A. False
B. True
A. Loud, Soft
B. Long, Short
C. Even, Uneven
D. Equal Power, Equal Gain
A. All tracks assigned to the same interal bus, output bus, or hardware insert
B. Which buses meet the minimum standard deviation
C. Which dialogue tracks have been selected
D. How many buses there are in the session
A. Non-Destructive Record mode
B. QuickPunch Record mode
C. Depth Record mode
D. Destructive Record mode
A. Used in the same session
B. Exported to in real time
C. Applied to dynamic playlists
D. Converted into the .mov format
A. False
B. True
A. Sent to a specific point in the timeline manually entered by the user
B. Moved on top of one another non-destructively
C. Checked for processing errors
D. Exported to another session
A. 8
B. 128
C. 64
D. 10
A. Two
B. Five
C. Unlimited
D. One
A. Type of audio file on the track
B. None of these
C. Type of track
D. Order in which tracks were recorded
A. Event
B. Audio
C. Midi
D. File
A. Input latency
B. Compression artifacts
C. Phasing caused by delay effects
D. Latency caused by plug ins
A. Depth Record mode
B. QuickPunch Record mode
C. All-Madden mode
D. Loop Record mode
A. Feature
B. Region
C. File
D. Segment
A. Alt+Ctrl(Cmd)+N
B. Ctrl(Cmd)+Shift+N
C. Ctrl(Cmd)+N
D. Alt+N
E. Shift+N