Answer these 70 Cinema MCQs and see how sharp is your knowledge of Cinema.
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A. An African ancestral figure
B. A Chinese figure of Guanyin
C. A pre-Columbian figure, the Chacmool
D. A medieval representation of Mary Magdalene
A. Third-person
B. Omniscient
C. First-person
D. Second-person
A. Thrust stage
B. Multifocus theatre
C. Amateur
D. Proscenium stage
A. Created
B. Found
C. Space
D. All of the above
A. Exposition
B. Obstacle
C. Action
D. Climax
A. Morality
B. Kathakai
C. Augusto Boal
D. Scenea
A. Cutting
B. Editing
C. Montage
D. Dissolve
A. Rear Window
B. Quadruple
C. Leitmotifs
D. The Godfather
A. Preview
B. Producer
C. Blocking
D. None of these
A. Proscenium
B. Arena stage
C. Proscenium stage
D. Thrust stage
A. Aeschylus
B. Aristophanes
C. Proscenium stage
D. Created or found stage
A. The thrust stage.
B. The medieval platform stage.
C. Artificial lighting and flat.
D. None of these.
A. Jule Styne Stephen Sondheim
B. Arthur Laurents
C. Romeo & Juliet
D. Prologue & "The Rumble"
A. Movie soundtracks can contain
B. During the last few years, moviegoers have
C. West Side Story
D. West Side Story contains
A. Food.
B. A partner.
C. Fun.
D. Nothing
A. Stephen Sondheim
B. Haydn and Mozart
C. George Gershwin
D. John Williams
A. Story; diegesis
B. Real; nonprofessional; documentary
C. Nonprofessional; documentary
D. Real; nonprofessional
A. Traits
B. A clinic
C. An exposition
D. A symposium
A. Seneca
B. Environmental
C. Moliere
D. None of these
A. Morality play
B. .morality play
C. Mystery or cycle play
A. Ritual
B. Harlequin
C. Subplot
D. None of these
A. Symbolist.
B. Absurdist.
C. Naturalist and idealist.
D. Expressionist.
A. Modern tragedy
B. Traditional tragedy
C. Melodrama
D. Pun
A. A deep-level association, connection, or inference; meaning available on the surface of the movie
B. The narrative intent of the moment, scene, or sequence in the movie.
C. The personal motives governing the performer's investment in particular projects.
D. None of these
A. Perceived depth of field of an image
B. Relationship between the focal length and the film gauge
C. Size of the projected image
D. Relationship of the frame’s width to its height
E. Ratio between the key light and fill light
A. Shakespearean
B. Medieval
C. Comedias
D. Renaissance
A. Analysis
B. Synthesis
C. Syndicate
D. Evaluation
A. Low-key
B. High-key
C. Three-point
D. Flat
E. Lighting ratio.
A. Sound crew
B. During postproduction
C. During sound design
D. While location scouting
A. Exaggerated; mouthed words
B. Mouthed words ; subtle
C. Mouthed words; exaggerated
D. Subtle; mouthed words
A. Take
B. Slate
C. Dolly
D. Setup
A. 15th
B. 18th
C. 16th
D. 19th
A. Narrative; experimental; documentary
B. Deep shadows; nighttime exterior scenes; elements composed diagonally in the frame
C. Exploring the American dream; an antihero; elements composed diagonally in the frame
D. None of the above
A. The subject of a movie; the means of expression
B. The means by which the narrative is expressed; the subject of a movie
C. The overall effect of characters; the elements contained in the dialog
D. The elements contained in the staging; the overall effect of staging the means by which the narrative is expressed; the subject of a movie
A. Experimental; documentary
B. Hand-drawn; stop-motion
C. Exploring the American dream; an antihero
D. Deep shadows; nighttime exterior scenes
A. Energetic choreography
B. Hollywood
C. Washington, D.c.
D. New York
E. The State Department
A. Cynicism
B. Alienation
C. Disillusionment
D. All of these
A. Artistic approach
B. Narrative approach
C. Masterpiece approach
D. Great director
E. Auteur approach
A. Duke Ellington
B. Paul Whiteman
C. Ira Gershwin
D. Irving Berlin
A. Jukebox
B. Bob Fosse
C. Heaven
D. None of these
A. Cuba
B. Afro-cuban
C. Chorus
D. None of these
A. Sound crew.
B. Dialogue
C. Sound designer.
D. Amplitude.
A. Gollum
B. Yoda
C. Darth Vadar
D. Frodo.
A. Aroused sympathy from the audiencewere made collaborativelycalled
B. The symphony orchestra
C. Film score
D. Nondiegetic music
E. New age music
A. Porgy And Bess
B. Wah-no-tee
C. Al Jolson
D. Jim Crow
A. Bieu-tuong-daotaoladigi.
B. Conditional
C. Marni Nixon
D. Iowa
E. Rex Harrison
A. To reach a consensus on which activities are more important than others
B. To identify all the key activities involved in creating and delivering the service
C. To identify the links between a set of alternative service possibilities
D. To identify the key employees who will be enacting the service blueprint
E. To identify the key customers who will be participating in the service
A. Mechanical efforts
B. Phone contact
C. Perishability
D. None of these
A. Cuba
B. Overlap
C. Rituals
D. None of these
A. Right
B. Role
C. Attribution
D. Obligation.