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A. Transformation of acoustic energy into optical energy
B. Transformation of acoustic energy into heat energy
C. Transformation of acoustic energy into mechanical energy
D. Transformation of acoustic energy into electric energy or vice versa
A. Generally designates the art form in which the sound is its basic unit
B. Music composition and production
C. Graphic design that incorporates music
D. A genre of rock music
E. Music composed for the purpose of entertaining people
A. To create aural illusions
B. To evoke emotions in listeners
C. To create new sounds from existing acoustic sounds
D. To create new sonic experiences
E. To manipulate the timbres of acoustic sounds
A. Reverb or harmonizing
B. Pitch correction
C. Noise reduction
D. Filtering
A. Audio signal processing
B. Acoustic resonance
C. Sampling
D. Synthesis
E. Audio synthesis
A. Audio signals
B. Waveforms
C. MIDI signals
D. Pulse trains
A. Jazz
B. Musique concrète
C. Rock music
D. Chamber music
A. Computer programs
B. Digital audio workstations
C. Electronic musical instruments
D. Music notation
E. Computers
A. Resistor
B. Short circuit
C. Reverse battery
D. Open circuit
A. The magnitude of a direct current
B. A measure of the electrical potential difference between two points
C. A measure of the amount of energy in a circuit
D. The work needed per unit of charge to move a test charge between the two points
E. The potential difference between the two points
A. An effects unit or effects pedal
B. Amplifier
C. Headphones
D. Loudspeakers
E. Audio cable
A. 1953
B. 1952
C. 1954
D. 1955
A. Selective and nonelective
B. Constructive and destructive
C. Radio frequency interference
D. Electrical interference
A. FARADAY RADIUS
B. MEDIAN DISTANCE
C. MAXIMUM DISTANCE
D. CRITICAL DISTANCE
A. INVERTOR
B. AMPLIFICATION
C. DISTORTION
D. MODULATION
E. AMPLIFIER
A. EAR CANAL END
B. EAR TUBE RELAY POINT
C. DRUM REFERENCE POINT
D. EAR CORD RELAY POINT
A. EAR REFERENCE POINT
B. EAR EXTERNAL AUDIAL CANAL
C. EAR Lobe
D. EAR WINGS
A. PULSATIONAL DISTORTION
B. RING MODULATION
C. IMPERFECTIVE ANALOGUE RECEPTION
D. PHASE MODULATION
E. HARMONIC DISTORTION
A. A filter with a passband and a stopband
B. A network
C. A filter with a passband and no stopband
D. An ideal equalizer
E. A filter
A. LIP REFERENCE POINT
B. MOUTH ZONE
C. MOUTH REFERENCE POINT
D. MOUTH EXTERNAL LIP PLANAR
A. An abbreviation for multiple choice
B. A computer
C. A type of arthritis medication
D. A device or transmission channel
E. A method of connecting two points
A. Gain
B. Phase modulation
C. Non-linear distortion
D. Amplitude modulation
A. Harmonic
B. Intermodulation
C. Digital
D. Mic
E. Frequency
A. WIDEBAND
B. SUPER WIDEBAND
C. BROADBAND
D. WIRELESS
E. LAN
A. 50 – 16,000 Hz
B. 500 Hz
C. 100 – 10,000 Hz
D. 1 kHz
A. Efficiency
B. Sensitivity
C. Margin of safety
D. Reliability
E. Output
A. CABLE ANALYSIS
B. ACOUSTIC TRANSMITTERS
C. SIMULATED FREE FIELD
D. WAVE POINT ANNEALING
A. POWER HARMONIC DISTORTION
B. TOTAL HARMONIC DISTORTION
C. PERIOD HARMONIC DISTORTION
D. 60dB
E. 100dB
A. TRANSDUCER
B. GENERATOR
C. CONVERTOR
D. SWITCH
E. CONVERTER
A. A device that converts sound waves into electrical signals
B. A device for converting mechanical energy into sound
C. Converting electricity to sound or sound to electricity
D. A microphone that converts sound waves into an electrical signal
E. A microphone
A. 200 – 10,000 Hz
B. 1,000 – 20,000 Hz
C. 20 – 200 Hz
D. 100 – 8,000 Hz