Discover an extensive repository of Microphones MCQs for Acoustical Engineering designed to reinforce your understanding of the subject. We offers valuable Microphones MCQ resource to assess your knowledge
A. The rightmost recording channel in an ambisonic system
B. A standardized header format used to embed metadata in WAV files
C. The raw recording where each individual mic capsule has its own output and recording channel
D. A method of recording that only captures sounds coming from the front direction
A. 10 to 12 inches
B. 2 to 4 inches
C. 6 to 8 inches
D. 12 to 48 inches
A. Acoustic reflection
B. Acoustic absorption
C. Acoustic transmission
D. Acoustic reverberation
A. The process of a surface absorbing some or all of the energy of a colliding sound wave.
B. The process of a sound wave hitting a surface.
C. The process of a surface reflecting some or all of the energy of a colliding sound wave.
D. The process of a surface reducing reverberation.
A. Coverage Angle or Pickup Angle
B. Sound Pattern
C. On-Axis Response
D. Rejection Angle
A. The study of sound and its transmission
B. A way to increase the volume of a sound
C. A method of recording sound onto a medium
D. A series of ports and pathways that act to delay sound from reaching the rear of the mic diaphragm.
A. Electrical signals
B. Mechanical waves in gases, liquids, and solids
C. Sound recording
D. Sound waves in air
A. A microphone that requires external power to function
B. A microphone that amplifies sound
C. A microphone that is powered by a battery
D. A microphone that does not require external power to function
A. AC periodically reverses direction, while DC does not.
B. AC is used in audio equipment while DC is not.
C. AC has a higher voltage than DC.
D. AC is better for the environment than DC.
A. A current that only flows in one direction
B. An electrical current that periodically reverses direction.
C. An electrical current that is not affected by magnetism.
D. A current that does not reverse direction
A. Capturing ambient sounds
B. Creating ambient sounds
C. Capturing live sound
D. Capturing mid-side sound
A. Dialogues
B. Ambient sounds
C. Hissing noise
D. Subwoofer sounds
A. 1
B. 4
C. 3
D. 2
A. An array of 4 or more microphones pointed in different directions
B. 3-D sonic image with compatible playback formats
C. A single microphone
D. An ambisonic array includes 4 or more coincident directional mic capsules pointed optimally to capture a 3-D space.
A. 3
B. 1
C. 2
D. 4-8
A. One second
B. One volt
C. One watt
D. One coulomb
A. Watt
B. Ampere
C. Voltage
D. Resistance
A. The process of increasing the power of an electrical signal with a microphone.
B. The process of turning sound waves into electrical signals.
C. The process of increasing the power of an electrical signal with an amplifier.
D. The process of turning electrical signals into sound waves.
A. Millivolts
B. DB SPL or Pascals
C. DBV
D. DBu
A. By electrical impulses
B. By sound waves
C. By binary digital data
D. By analog AC voltages
A. Represent sound
B. Amplify sound
C. Create sound
D. Store sound
A. Analog distortion
B. Noise distortion
C. Digital distortion
D. Intermodulation distortion
A. A type of microphone
B. The change in a mic's signal due to the overdriving of the electronic circuits, transistors, and tubes.
C. A sound editing software
D. A sound effect
A. Converts analog signals to digital
B. Converts digital signals to analog
C. Boosts audio signals
D. Converts AC to DC power
A. Electrical mics
B. Analog mics
C. USB and digital mics
D. Digital mics
A. A room where an echo can be heard.
B. A room with surfaces that completely absorb sound and electromagnetic waves.
C. A room with surfaces that absorb SOME sound and electromagnetic waves.
D. A room with surfaces that reflect sound and electromagnetic waves.
A. It is an angle from its axis in which it is the least directional.
B. It is an angle from its axis in which it is the least sensitive to sound.
C. It is an angle from its axis in which it is the most sensitive to sound.
D. It is an angle from its axis in which it is the most directional.
A. Antennae are used to receive the mic signal wirelessly.
B. Antennae help to propagate the mic signal through space.
C. Antennae are used to transmit the mic signal wirelessly.
D. Antennae are essential components of wireless microphone systems in both transmitters and receivers.
A. To receive the mic signal
B. To provide power to the mic signal
C. To serve as a critical interface between the mic signal and the radio wave propagation of that mic signal
D. To amplify the mic signal
A. To create an artificial stereo response.
B. To provide a more natural sound for live performances.
C. To replicate a natural-sounding stereo response.
D. To improve the sound quality of a recording.
A. To test the sound of each mic before selecting their favourite
B. It's best to set the mics to have the same signal levels
C. So the engineer, producer, and/or musician can test the sound of each mic
D. To have the mics pointing toward a single point
A. True
B. False
A. The increase of signal strength in an electrical circuit
B. The gradual decrease in a sound wave‘s power
C. The amplification of sound energy
D. The reduction of signal strength in an electrical circuit
A. The ability to hear
B. The process of recording, transmitting, or reproducing sound
C. Sound, especially sound that has been recorded, transmitted, or reproduced.
D. The study of sound
A. The study of hearing
B. Sound that has been recorded, transmitted, or reproduced.
C. The study of light
D. The study of sound
A. Los Angeles
B. New York City
C. San Francisco
D. Chicago
A. 1950
B. 1949
C. 1948
D. 1951
A. 1
B. 4
C. 3
D. 2
A. A device that creates sound
B. A device that records sound
C. A device that allows communication between computers and mics, instruments, loudspeakers and monitors.
D. A device that amplified sound
A. Microphones
B. Mixing consoles and DAWs
C. Speakers
D. Headphones
A. On the same side as the diaphragm's front side
B. On the opposite side of the diaphragm's front side
C. In front of the diaphragm
D. Behind the diaphragm
A. The top
B. The back side
C. The front side
D. The bottom
A. Directional mic
B. Mic diaphragm
C. Microphone axis
D. Sound wave
A. 45 degrees
B. Axis angle
C. 90 degrees
D. 180 degrees
A. The angle between two microphone axes in a two-mic stereo miking technique
B. The angle of sound waves in relation to the microphone
C. The angle of the microphone in relation to the sound source
D. The angle of the sound source in relation to the microphone
A. The mixing of different tracks to create one B-format signal
B. A production technique in ambisonics
C. The proper positioning of the individual raw (A-Format) ambisonic mic signals.
D. A type of microphone used in ambisonics
A. A device that helps to amplify sound
B. A condenser mic with a permanently charged capsule due to electret material being fixed to its stationary backplate.
C. A microphone that uses electricity to increase the audio signal.
D. A microphone that does not require a power source
A. The mic signal
B. The backplate
C. The diaphragm
D. The sound pressure
A. A baffle is the physical housing around a ribbon mic's element.
B. A baffle is a device used to reflect sound waves.
C. A baffle is a sound-absorbing material used to reduce reverberation in a room.
D. A baffle is a device used to reduce the intensity of sound waves.
A. It is necessary for electromagnetic induction and proper dynamic ribbon mic function.
B. It is the physical housing around a ribbon mic's element.
C. It holds the ribbon diaphragm in position and protects the sides of the ribbon.