These Logo Design multiple-choice questions and their answers will help you strengthen your grip on the subject of Logo Design. You can prepare for an upcoming exam or job interview with these Logo Design MCQs.
So scroll down and start answering.
A. All of these
B. How it will appear on a website
C. How it will appear when faxed
D. How it will appear on a car or van
A. PDF
B. TIFF
C. CSV
D. SAD
A. Shade
B. Rhythm
C. Balance
D. Unity
A. Changing the space between lines
B. Changing the space between two words
C. Changing the space between multiple characters at once
D. Changing the space between two characters
A. Two transparent colors overlaid on one another
B. A color that shifts to a different color over a set amount of space
C. All of these
D. A dotted color pattern
A. Two letters designed to seamlessly connect
B. Any typographic character not in the English alphabet
C. A bold punctuation mark
D. A question mark and exclamation point designed together as one character
A. LiveTrace
B. BezierCurve
C. VectorScan
D. LightTrace
A. To separate the type from the symbol in a logo
B. To make a logo semi-transparent on the web
C. To create the appearance of a gradient in limited-color situations
A. the size it begins to be illegible
B. 6 points
C. the size of a quarter
D. 1/2 inch
A. An aliased curve made in raster graphics software
B. An Adobe Illustrator feature that converts a scanned image to vector points
C. Smooth curves made in vector graphics software
D. A curve based off the golden ratio
A. design multiple mockups and versions for various logo applications
B. design logos before doing research about the company and it's audience to ensure the most open and creative design.
C. create different logos for official brand use
D. design out of market applications for the logo, just in case.
A. When designing a logo you should always follow current trends.
B. It is good practice to use lots of colours when designing a logo.
C. A logo should still be fully effective if reproduced in monochrome.
D. Legibility can be avoided if the company is well known.
E. A logo should be designed with only the short term in mind.
A. True
B. False
A. negative space
B. inner space
C. secondary logo
A. Ask the client if they think it is effective.
B. Ask your friends if they like it.
C. Present the logo to your client's employees for feedback.
D. Present the logo to a sampling of potential target audience members and have them rate the logo's effectiveness.
E. Research similar companies to see if their logo has similar qualities.
A. When a symbol is within a geometric shape
B. Any symbol that is a seal or crest
C. When an object isn't completely closed, but closed enough that we perceive it as being closed
D. When an object is made all-white and placed on a colored background
A. thick, block-like serifs.
B. thin, round-like serifs.
C. non-existent serifs.
D. serifs on certain letter.
A. Patent
B. Trademark
C. Naming schema
D. Copyright
A. False
B. True
A. Packaging
B. Stationary System
C. Signage
D. Website
A. Tracing of the outer edge of text or a graphic image.
B. An extended part of the logotype outside the desired area of presentation.
C. An line that shows hierarchical relations of logo elements.
D. Line by which the logo should be leveled.
A. Levelness, Vagueness, Contrast, Tone, and Durability
B. Simplicity, Exuberance, Relevance, Contortion, and Distortion
C. Simplicity, Memorability, Durability, Versatility, and Relevance
D. Versatility, Simplicity, Saturation, Contrast, and Relevance
E. Simplicity, Memorability, Durability, Versatility, and Obscurity
A. True
B. False
A. are designed with at least 3-6 colors to make it eye catching
B. Have many ideas and concepts to tell the full brand story
C. Have intricate details
D. Have one clear idea and aesthetic
A. True
B. False
A. Better for web use
B. Infinite Scalability
C. Better application support
D. Richer color
A. False
B. True
A. False
B. True
A. Payment
B. You're artistic ability
C. The color scheme
D. The customers desire
A. False
B. True
A. Helps a company to make their product or services marketable.
B. Helps a company to earn goodwill.
C. Both are true
A. False
B. True
A. True
B. False
A. reduce the amount of detail as much as possible while retaining style and intention
B. Use stock art as icons for the logo
C. Kern the lettering in the logo to maximize readability and character
D. Use a limited number of readable fonts for the logotype
A. True
B. False
A. JPG
B. TIFF
C. EPS
D. GIF
A. True
B. False
A. True
B. False
A. False
B. True
A. Add gradients and strokes to fonts, keep the icon small and out of the way in lockups
B. High contrast colors, clear and easy to read typography, minimal and crisp icon
C. Vibrating color palates, closely kerned typography, and icons with textures
A. Black & White
B. Full Color
A. Complex, controlled, memorable, diverse
B. Simple, elegant, soft, approachable
C. Strong narrative, taglines, lockups, bold
D. Simple, versatile, memorable, relevant
A. Illustrations
B. Custom Element
C. Clipart and Free Stocks
D. Drawings
A. Your artistic ability
B. Your earnings
C. Elephants
D. Your clients approval
A. False
B. True
A. False
B. True
A. To be memorable, instantaneously recognizable and have clarity when reproduced in small sizes.
B. To be simple, have a style of an clip art and use of "Helvetica" font
C. To be colorful, look expensive and reflect the current CEO taste
D. To be illustrative in nature, have an lot of colorful elements and be recognizable only for closed groups of people
A. Unify any overlapping shapes
B. All of these
C. Expand all effects and strokes
D. Clean out all unused color swatches
E. Convert type to outlines
A. Channel Colors
B. CMYK
C. RGB
D. Grayscale
E. Pantone
A. Who is your audience, what is your product or service, what is the most important message to get across?
B. What is your favorite color, what is your product or service, what style do you want it to be?
C. Who is your audience, what is your favorite color, what is your favorite animal?
D. It's best not to ask your client any questions.
A. (All of these effect the logo directly)
B. Grayscale or black and white color reductions of the logo
C. Brand color use in collateral materials
D. Subconcious emotional responses to the logo
A. All of these
B. Figure & Ground
C. Closure
D. Similarity
A. False
B. True
A. A type of paper that has a color on one side, and white on the other.
B. The spectrum of commonly used sound frequencies commonly used in brand jingles.
C. When two ink colors are used in the reproduction of an image. It is a common and cost effect method of printing.
A. A set of metallic inks
B. A color that will become muddy and grey when printed
C. A color-matching system to ensure color quality remains consistent when printing
A. True
B. False
A. AI
B. EPS
C. CDR
D. PNG
E. PSD
A. False
B. True
A. There is not a specific format a logo should be designed for.
B. Square
C. Vertical (Tall)
D. Horizontal (Wide)
A. Have a spectrum of styles, color palettes, and iconography to refer to when designing the logo
B. All of these
C. Prevent your logo from being too similar in style and concept to another logo
D. Be able to make stronger and more informed decisions on all elements of the design of the logo.
A. Pixels
B. Bitmaps
C. Vectors
D. Rasters
A. True
B. False
A. True
B. False
A. False
B. True
A. True
B. False
A. It is never okay to copy another logo design
B. You change the color
C. The company name is different
D. It's used for a different industry
A. False
B. True
A. Serif
B. All of these
C. Sans-Serif
D. Slab-serif
A. Changing audience and market so brand needs a new voice
B. Previous design was not impactful enough and did not have a lasting impression on the audience
C. All of these
D. Aesthetics and style are dated but need to retain brand equity
A. There remains a strong figure ground relationship
B. The counters of type are not filling in
C. All of these
D. Any symbols do not lose readability
A. Motion or broadcast
B. Textile printing
C. All of these
D. Very small printing
A. HSB, CMYK
B. ZM3, RGB
C. CMYK, RGB
A. .HTML
B. .AI, .EPS, .PNG and .JPG
C. .PSD
D. .SWF
E. .PHP
A. Memorable
B. Unique
C. Graphic
D. All of these
A. True
B. False
A. False
B. True
A. The minimum amount of space required around a logo
B. The colors and treatments of a logo that should be allowed
C. All of these
D. The minimum size a logo should be reduced to
A. A logo that is objectively beautiful and well-made
B. A logo that is stroked or outlined and transparent in the middle
C. The name of a Microsoft typeface
D. something that is reversed out of a dark background
A. The theory of logos
B. The theory of signs
C. A type of medecine
D. A graphic produced by a robot
E. The theory of printing
A. A logo placed in another shape, such as a crest, shield, or circle
B. A logo placed in the upper left hand corner of letterhead
C. A symbol and logotype placed together in a specific arrangement
D. A logo that is completely made out of geometric shapes and no type
A. A type of logo
B. An element of the logo consisting of a symbol or icon of an organization or individual
C. An element of the logo consisting of the name or initial characters of an organization or individual
A. Lettermark
B. Combination Mark
C. Wordmark
D. Emblem
E. Brandmark
A. a trademark
B. a brandmark
C. a brand
A. 2.61803398875
B. 1:2
C. 1.61803398875
D. 1.5555555555
E. 5:2
A. 4
B. 6
C. 5
D. 3
A. Website
B. Slogan
C. Signage
D. Stationary system
A. Point Type
B. Type on a path
C. Paragraph Type
D. Line type
A. Contrast
B. Figure Ground
C. Closure
D. All of these
A. TRUE
B. FALSE
A. TRUE
B. FALSE
A. None of these
B. CMYK numbers and RGB numbers
C. Just the Pantone Color Number
D. Pantone Color Number, RGB Numbers, CMYK numbers , and WEB Hex numbers
This question is based upon the figure shown below
Question: |
How can you achieve the result in Corel Draw as shown in the image above? |
A. Text ->Drop Cap
B. Text ->Straighten Text
C. Text ->Fit Text To Path
D. Text ->Encode
Which color model will you use for creating a logo keeping in mind it will get printed in the end?
A. RGB
B. CYMK
C. HSB
D. a and b
This question is based upon the figure shown below
Question: |
There are no rules for the use of fonts while designing the logo but which of the logos marked as A and B in the image given above is ideally most acceptable? |
A. A
B. B
Which of the following is/are the way(s) to manipulate the gradient on a stroke in Illustrator?
A. Apply Gradient Within Stroke
B. Apply Gradient Along Stroke
C. Apply Gradient Across Stroke
D. All of the above
Which of the following tools lets you design multi-colored filled objects with maximum fluid color transitions in Corel Draw?
A. Interactive Fill
B. Smart Fill
C. Mesh Fill
D. Fountain Fill
In Corel Draw, The __________________rendering intent is suitable for logos or other graphics that contain only a few out-of-gamut colors.
A. Relative colorimetric
B. Absolute colorimetric
C. Perceptual
D. Saturation
Which option in "Shape Builder Tool Options" allows you to split the parent path into two in Illustrator?
A. Gap Detection
B. Consider Open Filled Paths as Closed
C. Stroke Splits the Path (In the Merge mode)
D. Highlight Stroke When Editable
Which of the following checkpoints can be useful before delivering the final product to the client?
A. It should not change or lose the meaning when converted into grayscale image.
B. Colors should not be used which are hard on the eyes.
C. Fonts should be legible when scaled down.
D. All of the Above.
In Illustrator, ____________________ lets you combine multiple objects and specify how you want each object to interact with the other objects. |
A. Compound shapes
B. Compound paths
C. Pathfinder effects
D. None of the above